Artist: Kemistry and Storm
Genre(s):
Drum & Bass
Discography:
Enforcers: Above The Law CD2
Year: 1996
Tracks: 1
Friday 27 June 2008
Kemistry and Storm
Artist: Kemistry and Storm
Genre(s):
Drum & Bass
Discography:
Enforcers: Above The Law CD2
Year: 1996
Tracks: 1
Werner Herzog - Herzog Being Shot At Is Exhilarating
Director WERNER HERZOG enjoys the buzz of being shot at, after dodging bullets on two occasions.
The German filmmaker was attacked by a mystery sniper in Los Angeles in 2006, while he was being interviewed on camera by a BBC movie journalist.
He was hit in abdomen by a metal pellet leaving him cut and bruised, but stunned viewers by reacting calmly.
During an appearance on Late Night with Conan O'Brian on Wednesday (4Jun08), the Rescue Dawn director revealed that wasn't the first time he had been shot at - and confessed he found both experience invigorating.
He said, "I was shot more seriously with real bullets. But not hit. That's the great exhilarating feeling for a man, to be shot at without success."
See Also
Phunk Junkeez
Artist: Phunk Junkeez
Genre(s):
Rock
Rap: Hip-Hop
Discography:
Rock It Science
Year: 2003
Tracks: 11
Injected
Year: 1995
Tracks: 12
Junk EP
Year: 1993
Tracks: 5
The alterna-funk outfit Phunk Junkeez is a five-piece (singer Soulman, guitarist Jeff O'Rourke, bassist Jumbo Jim, drummer Disko Danny D, and vocalist/turntable spinner DJ Roachclip), and sounds outstandingly similar to such present daytime chart toppers 311, Sugar Ray, and others. The isthmus came together in 1991 around the Arizona area, combining funk, rap music, and hard rock and roll. After the release of their self-titled independent debut, Trauma Records signed the ring and released Injected, which proved to be a slimly harder rocking occasion than the 1st one. Soon subsequently, the ring recorded a bouncy cover of KISS' anthemic "I Love It Loud" for the gesture exposure Tommy Boy, and toured for 2 days solid. Their third release, Fear of a Wack Planet, appeared in the summer of 1998, and seemed a great deal more corresponding musically to the bands listed supra. The Junk EP was released in 1999, the like class Jeff O'Rourke was replaced by Danny P. Sex Drugs & Rap 'N Roll surfaced in early 2001 with Money Mike on drums, followed by Rock It Science in 2003.
Jack Black - The Things They Say 8479
Thursday 26 June 2008
Madonna, Hard Candy
''I know I can do it better'', boasts Madonna on She's Not Me, a gigantic disco ball of a Chic-esque tune. It's a piercing shot at any young pretenders, past, present and future, who think they've what it takes to take on the Queen of Pop in her fiftieth year, and one that reverberates across her eleventh album.
Laying herself at the mercy of producers savvy enough to churn out hits in their sleep, Madonna has put her reputation on the line for Hard Candy, but it's a calculated risk, and although she could have done it better, it's still a mighty record.
In essence, the album is not the hip hop tribute many had feared, but an urban extension of 2005's Confessions On A Dancefloor. The disco still rules supreme (just listen to the funk-overload of Dance 2Nite) and the dancefloor remains Madonna's sexual playground. Yet, with Timbaland, Justin Timberlake, Nate 'Danja' Hills and Pharrell Williams at the helm, the RnB edge is added. Williams' breathy punctuation and tinny percussion spill over from the album's opener Candy Shop and Timbaland's distorted bass beats make for wonderfully messy melodies, particularly on the superb climax, 12 Voices – Madonna's most haunting sound since Frozen.
The argument that this tried and tested production work could be a template for any artist (Madonna only has co-writing credits) is a tad churlish. She adds that inimitable zing of excitement that the likes of Nelly Furtado don't possess and the record is not without its personal moments. Take the genuinely good, genuinely felt Miles Away; an electro missive concerning her relationship with husband Guy Ritichie (''I guess we're at our best when we're miles away''). Besides, many milestones of Madonna's epic career – Holiday, Get Into The Groove, Ray Of Light and Music - are marked throughout.
Undeniably, it's the work with Timbaland and co. that really sells Hard Candy. Madonna and Timberlake's vocal hook on 4 Minutes is worth the download fee alone and the album's penultimate track, Devil Wouldn't Recognise You, is the next best thing after Timberlake's What Goes Around…
Meanwhile, Williams isn't as dependable. Tracks like the awkward Spanish Lesson and the badly paced Incredible, where the frenetic finish isn't worth the four minute wait, represent more fool's gold than the real deal. In contrast, Give It 2 Me, where children's TV meets trance and techno, is a wholesome sugar rush.
Easy to chew, Hard Candy is everything you'd hope for from a Madonna album; excitement, adventure and progress. Something tells me it just might sell…
Laying herself at the mercy of producers savvy enough to churn out hits in their sleep, Madonna has put her reputation on the line for Hard Candy, but it's a calculated risk, and although she could have done it better, it's still a mighty record.
In essence, the album is not the hip hop tribute many had feared, but an urban extension of 2005's Confessions On A Dancefloor. The disco still rules supreme (just listen to the funk-overload of Dance 2Nite) and the dancefloor remains Madonna's sexual playground. Yet, with Timbaland, Justin Timberlake, Nate 'Danja' Hills and Pharrell Williams at the helm, the RnB edge is added. Williams' breathy punctuation and tinny percussion spill over from the album's opener Candy Shop and Timbaland's distorted bass beats make for wonderfully messy melodies, particularly on the superb climax, 12 Voices – Madonna's most haunting sound since Frozen.
The argument that this tried and tested production work could be a template for any artist (Madonna only has co-writing credits) is a tad churlish. She adds that inimitable zing of excitement that the likes of Nelly Furtado don't possess and the record is not without its personal moments. Take the genuinely good, genuinely felt Miles Away; an electro missive concerning her relationship with husband Guy Ritichie (''I guess we're at our best when we're miles away''). Besides, many milestones of Madonna's epic career – Holiday, Get Into The Groove, Ray Of Light and Music - are marked throughout.
Undeniably, it's the work with Timbaland and co. that really sells Hard Candy. Madonna and Timberlake's vocal hook on 4 Minutes is worth the download fee alone and the album's penultimate track, Devil Wouldn't Recognise You, is the next best thing after Timberlake's What Goes Around…
Meanwhile, Williams isn't as dependable. Tracks like the awkward Spanish Lesson and the badly paced Incredible, where the frenetic finish isn't worth the four minute wait, represent more fool's gold than the real deal. In contrast, Give It 2 Me, where children's TV meets trance and techno, is a wholesome sugar rush.
Easy to chew, Hard Candy is everything you'd hope for from a Madonna album; excitement, adventure and progress. Something tells me it just might sell…
Diamonds (and Liz Taylor) Are Forever
It's a miracle Liz Taylor could stand up with all the bling she was rocking outside the Abbey in WeHo on Friday. Oh right, she didn't have to -- the 76-year-old legend was carted out on a wheelchair.
We're told she was at the gay bar as the surprise guest at a family friend's graduation party. Her pooch Daisy was there too; no word if the bitch actually was invited.
See Also
We're told she was at the gay bar as the surprise guest at a family friend's graduation party. Her pooch Daisy was there too; no word if the bitch actually was invited.
See Also
Ustad Shujaat Khan
Artist: Ustad Shujaat Khan
Genre(s):
Other
Discography:
The Stillness of Sound - Sufi Songs
Year: 2006
Tracks: 6
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